Sangam: A Confluence of Knowledge Streams

ARTICULATORY AND ACOUSTIC PHONETICS OF VOICE ACTING

Show simple item record

dc.contributor de Jong, Kenneth
dc.creator Feehan, Colette
dc.date 2022-04-19T02:53:24Z
dc.date 2022-04-19T02:53:24Z
dc.date 2021-11
dc.date.accessioned 2023-02-24T18:26:55Z
dc.date.available 2023-02-24T18:26:55Z
dc.identifier https://hdl.handle.net/2022/27515
dc.identifier.uri http://localhost:8080/xmlui/handle/CUHPOERS/260317
dc.description Thesis (Ph.D.) - Indiana University, Department of Linguistics, 2021
dc.description Professional voice actors are an excellent, but fairly untapped population for linguistic study. These actors are linguistically naïve but perform complex linguistic tasks throughout the course of their profession, and they perform these tasks safely, reliably, and consistently. While some previous studies used auditory and instrumental acoustic methods to investigate the speech produced by voice actors (Teshigawara, 2003; Teshigawara et. al., 2007; Teshigawara, 2009, cited in Teshigawara, 2011; Starr, 2015), in contrast there has been very little research on their articulation (Teshigawara & Murano, 2004). This work uses a combination of 3D/4D ultrasound, electroglottography (EGG), audio recordings, and webcam footage to observe the articulations of six voice actors (3 professionals and 3 amateurs) and compare those articulations to the acoustic outputs. Each actor read a syllable list and two stories from the Goldman Fristoe Test of Articulation 3rd ed. in both their regular adult speaking voice and a simulated child voice. Some general findings of this study indicate that actors do produce different acoustic outputs for a child voice compared to their adult voice including higher fundamental frequency (F0), different averages in acoustic measurement of vowel formants, and shorter estimates of vocal tract length. The ultrasound data indicate that actors also alter the place of lingual constriction to be more anterior, farther forward in the mouth, when imitating a child voice. EGG data, while limited to only two subjects due to the 2020 pandemic, indicate that actors may also raise their larynx to shorten the vocal tract while speaking in an imitated child voice. This work opens a new angle for linguistic study while also providing an empirical basis upon which new pedagogical methods to teach voice acting can be developed. Looking at voice actors speaking with intentionally contorted tongue positions could help us learn more about over which muscles we have volitional control within the vocal tract. This could help to improve interventions in speech therapy and even test and update acoustic-articulatory models of speech.
dc.language en
dc.publisher [Bloomington, Ind.] : Indiana University
dc.subject Acoustics
dc.subject Articulation
dc.subject Phonetics
dc.subject Speech
dc.subject Voice Acting
dc.subject Vocal
dc.title ARTICULATORY AND ACOUSTIC PHONETICS OF VOICE ACTING
dc.type Doctoral Dissertation


Files in this item

Files Size Format View
Feehan_FinalDissertation.pdf 8.914Mb application/pdf View/Open

This item appears in the following Collection(s)

Show simple item record

Search DSpace


Advanced Search

Browse