Sangam: A Confluence of Knowledge Streams

The ecclesiological movement and its antecedents in Devon: a study of 19th-century churches, church furnishings and church restoration in an English county

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dc.contributor Creighton, O
dc.creator Parker, RW
dc.date 2019-09-05T09:53:40Z
dc.date 2019-09-02
dc.date 2019-09-05T09:53:40Z
dc.date.accessioned 2023-02-23T10:15:57Z
dc.date.available 2023-02-23T10:15:57Z
dc.identifier http://hdl.handle.net/10871/38545
dc.identifier.uri http://localhost:8080/xmlui/handle/CUHPOERS/257657
dc.description This thesis seeks to explore how the physical fabric of Devon churches reflects changing perceptions of the role of the Church in society during the 19th century; how churchmen, architects and craftsmen of the period employed architecture and liturgical planning to reflect a revived national Church with a new sense of its connection to the past, to the great ages of Christian civilisation, and a strong sense of its duty and mission to all members of society. Nineteenth-century furnishings are not well understood as an archaeological resource: they are disappearing fast as more and more churches succumb to fashionable re-ordering schemes, yet many are of high artistic quality and even the least among these artefacts reveals much about the people and the society which created them. Church interiors of all periods are precious resources in that they clearly reflect contemporary religious and social controversies. Church furnishings can powerfully embody and reveal the character of a place and people at the time of their creation. They may survive as complete period pieces, or may have accumulated incrementally, each alteration reflecting changing trends in churchmanship and the progress of archaeological and liturgical scholarship among architects, clergy and patrons. Above all, 19th-century church furnishings reveal a clear trend away from rigid social divisions towards a more egalitarian Church, inclusive of all people. We know very little about why particular styles or layouts of furnishings were chosen, which of these are uncommon or unusual, what they signified to those who chose and used them, and which were fashionable at which period. My thesis seeks to explore the impact of Victorian ‘ecclesiology’ upon Anglican churches in Devon; to explore the huge variety of types and materials employed in their creation and to show how these embody a desire on the part of Victorian churchmen and women to replace a Church of clear social distinctions and privilege with a Church which embodied and showed forth a more open mission to all members of the community. Out of 711 churches in existence in Devon during the 19th and early 20th centuries, 647 have been visited and photographically recorded by the author in person. The remaining 64 demolished or inaccessible churches have been studied, as far as possible, by documentary research and in photographic archives compiled by others.
dc.publisher University of Exeter
dc.publisher Archaeology
dc.rights 2021-03-04
dc.rights seeking publication
dc.rights http://www.rioxx.net/licenses/all-rights-reserved
dc.subject Victorian
dc.subject Churches
dc.subject ecclesiologist
dc.subject ecclesiology
dc.subject Exeter
dc.subject Devon
dc.subject Church Restoration
dc.subject Church Furnishings
dc.subject Diocese of Exeter
dc.title The ecclesiological movement and its antecedents in Devon: a study of 19th-century churches, church furnishings and church restoration in an English county
dc.type Thesis or dissertation
dc.type PhD in Archaeology
dc.type Doctoral
dc.type Doctoral Thesis


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